They became famous worldwide after releasing the song ‘Lost on You.’ The official music video has over 442 million views!! How amazing is that! Their voice is simply fantastic, and their style is effortlessly cool. Photo by probably know L.P.’s music! Laura Pergolizii, professionally known as L.P., was called an ‘overnight sensation’ when their song ‘Muddy Waters’ was featured during the fourth season of the lesbian show ‘Orange Is the New Black.’ My personal favorite gayest song of girl in red is “girls.” Lesbian TikTok has helped her songs gain more popularity. In 2019, she was named a queer icon by Paper Magazine, which makes me excited about her future. Young teenage lesbians love her, as they relate to her songs about mental health and loving girls. Her first song, “I wanna be your girlfriend,” which came out in 2016, immediately gave away that she’s a lesbian music artist, and she doesn’t shy away from this at all. All of this happened in her bedroom, which she still does today. She started writing songs and playing the guitar when she was 14. Photo Ulven, better known as girl in red, is a Norwegian indie-pop singer-songwriter. You have to check out this list of over 27 queer female and lesbian singers! But I assure you there are many more, and this list could go on forever (lucky us, we live in exciting times!). Besides that, it always feels good to be seen and recognized. Listening to a lesbian musician share her own experiences with other women hits another level. Their women love women songs are relatable in a way that other songs are just not. However, as a lesbian, I can’t always recognize myself in songs, so I love listening to lesbian artists.
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It’s a way to escape your everyday life or spice it up.Īnd who doesn’t love walking down the street pretending you’re in a movie while music plays through your headphones? These queer female and lesbian artists will satisfy your ears!Įveryone loves listening to music. Joey was named the 2017 “New Artist of the Year” at the Cincinnati Entertainment Awards.Are you starting to get bored by your own Spotify playlists, or are you struggling to find some new music? Well, in that case, you’ve come to the right place. As part of Pomegranates, he played SXSW and CMJ multiple times, and shared stages/tours/bills with Phantogram, Wye Oak, Mark Mulcahy (of Miracle Legion/Polaris), Jimmy Eat World, Islands, French Kicks and many more. In a live capacity, Joey has shared stages/bills with Chastity Belt, Diane Coffee, Islands, Clap Your Hands Say Yeah, Pillar Point and more. After repeated listens Joey’s world was blown open by the paranoid, androgynous, melodramatic world created by the album, and returned to its moods for inspiration while working on his sixth album, Nite Vibes. It was so bizarre he wasn’t sure if he liked it or not (which is usually a good sign). The discovery of David Bowie’s Ziggy Stardust was another formative moment – the realization that it was okay to write as a character and reinforcing the concept album theme.īowie continued to be a steady inspiration when Joey first heard his 1974 album, Diamond Dogs.
The grandiose arch of the concept album format spoke to him. He was drawn to music from an early age but was overjoyed when he first heard Pink Floyd’s The Wall. Nite Vibes, his David Bowie- and Walker Brothers-inspired concept album, sees release on vinyl and digitally on Augvia Lost in Ohio.įor those unfamiliar with Joey Joesph, he fell in love with self-recording in 2005, shortly before helping to form the psych pop group, Pomegranates. This would be an origin story for his extra-dimensional, pop star alter-ego. While writing the lyrics in the control room, “I’m no righteous man in holy robes… thinking of the child star” the shape of the album finally became clear to Joey.
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But its full form wasn’t realized until the song “Believe in the Moonlight” was written and then recorded at Sabbath Recording in Cincinnati with Jacob Merritt and Matt Latchaw. Nite Vibes began with a handful of disco-inspired vignettes conceived in down time during serving shifts in back rooms of restaurants. Joey Joesph’s sixth full-length LP in five years is darker than its predecessors.
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